Online Private Lessons – Contact Me Prof. +(54 911) 6577-1480. email protected. Lesson 1; Lesson 2; Lesson 3; Lesson 4; Lesson 5 – Complete; Jailbreak. Lesson 1; Lesson 2; Lesson 3. Learn to play Cavatina, by Stanley Myers!This is the much-loved theme from the movie, Deer Hunter.It was made famous by guitarist John Williams, and promises to become a permanent addition to the most-loved and most-played classical guitar.
The song “Cavatina” by Stanley Myers, was originally composed for piano, but was later re-written for guitar by the same author, on the suggestion of John Williams, who recorded it before the film “The Deer Hunter” in 1978. Thanks to that movie the song of Williams hit the charts and became one of the best-known classical guitar songs. Cavatina is a song not easy, because it requires a good control of the barré, but it is certainly very fascinating to play, try it for yourself with the tab below.
If you like melodic music played with classical guitar, let me also suggest you “Summer Song“, that is a composition of mine. Thank you.
The famous Cavatina, by Stanley Myers as arranged by John Williams
is one of the most beautiful and loved pieces in the classical guitar repertoire.
It can be learned by the intermediate guitarist.
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The music files can be downloaded from your personal webpage. The videos can be viewed on your webpage and/or you may download them to your computers and devices. All files and videos will always be available on your personal webpage.
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Douglas Niedt is a successful concert and recording artist and highly respected master classical guitar teacher with 50 years of teaching experience. He is Associate Professor of Music (retired), at the Conservatory of Music and Dance, University of Missouri-Kansas City and a Fellow of the Henry W. Bloch School of Management—Regnier Institute for Entrepreneurship and Innovation.
Doug studied with such diverse masters as Andrés Segovia, Pepe Romero, Christopher Parkening, Narciso Yepes, Oscar Ghiglia, and Jorge Morel. Therefore, Doug provides solutions for you from a variety of perspectives and schools of thought.
He gives accurate, reliable advice that has been tested in performance on the concert stage that will work for you at home.
The annotated score in standard notation and tab is marked measure by measure with detailed right and left-hand fingering options, barring options, optional improved harmonizations, and more. By the way, the samples below are web images. The PDF version you receive will be crystal clear.
Doug's 78 detailed instructional videos contain over FOUR HOURS of instructional video and will help you play Cavatina like a pro. Doug demonstrates how to play the piece measure by measure.
These are not 'put your finger here and then put your finger there' type videos. Doug explains all the technical and musical details required to play the piece on a professional level. Watch this excerpt as he talks about the left-hand technique to play measures 1 and 2 of Cavatina.
Watch it on full screen--after pressing play, click on symbol in lower right-hand corner to the right of 'HD'.
This video has closed captions. If English is not your native language, you can turn on closed captioning if you find it is hard to understand my speech.
You will find a full transcript of this video at the very bottom of this page.
It's complete and comprehensive.
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The total package costs less than one guitar lesson in most cities.
Douglas Niedt Gives You His No-Risk, Nothing-to-Lose, Money-Back Guarantee
'These are the best classical guitar video/internet lessons with the finest hi-tech production on the planet. But, if you are not satisfied with this course, I will refund your money. Just tell me why you did not like it so I can make it better for others.'
This is a digital download.
After you order, within 24 hours you will be sent an email with a link to a personal webpage we will set up especially for you! This is not an automated service.
We attend personally to every order, so please be patient.
The music files can be downloaded from your personal webpage. The videos can be viewed on your webpage and/or you may download them to your computers and devices. All files and videos will always be available on your personal webpage.
Only $39.95 No shipping/handling charges
Credit Card or PayPal.
Even though no physical product will be shipped, you will be asked for and must fill in your shipping address. Your email address is automatically captured when you order.
Guitarists at an intermediate or higher level can play Cavatina.
Cavatina contains a number of bar chords. However, Douglas Niedt's tutorial includes many options to play fewer bar chords or to bar fewer strings.
Cavatina contains a few stretches. However, Douglas Niedt's tutorial includes options to eliminate the stretches or to lessen their difficulty. Large hands are not required to play the piece.
Cavatina is in standard tuning in the key of E major.
[00:00:00] This is measure 1 to 2, an overview of left-hand technique. First thing you want to do, is pre-plant the first chord. In other words, place all four fingers down before you play one note. That way, you're certain that the first measure will go well for the left hand. Now, you can do it without the bar like this, or you can use an optional 5-string bar, which we'll talk about in a moment. Either way, pre-plant everything. Now the problem here, measure one to two, is getting a smooth change. The tendency will be to clip the last note of measure one like this. That's no good. We don't want to clip that note short like that. I'm going to connect it as best as we can. Now one option is simply to be careful, and not to clip the note, not [00:01:00] to lift early. Like that, but it's a tough change and there's a high likelihood that you're going to miss that change.
[00:01:12] So, one thing you can do, you can use an optional bar. You can bar 5 strings at the 4th fret. And what that does, it gives you the first finger as your guide finger to just slide up two frets for the bass note, for the D sharp. Then, all you have to do is land the second finger on the first string. So it gives you a lot of stability, and will help prevent you from clipping that G sharp.
[00:01:44] Now notice that when we do the change, we only land the first finger and the second finger, and then we add the third finger and the fourth fingers later, as we come to those notes. We do not try to grab the entire chord. No way. Just the first finger and the [00:02:00] second finger.
[00:02:01] Now the problem with the bar, is that it can be noisy. You can get, you know, string noises even squeaks sometimes. So if that's the case, you may not want to use the bar. But if you can do it like I'm doing, and not get the string noise and get very little squeak, it might be a good way to go, to give yourself stability to make that chord change.
[00:02:25] If you do squeak, and the bar is not an option, then go without the bar. But here's another option for you. Take the second finger as you play the last note of measure 1, and pre-plant it on the first string. And that becomes your guide finger to go to measure two. Gives you a lot of stability. So all you have to worry about is slapping the bar down across there.
[00:02:52] So it looks like this: plant it and slide. Very good way to go. The [00:03:00] only, the disadvantage of that is that you do lift the E early, in other words, to move it over to pre-plant. So the E gets chopped off, but I have to say, most people are hearing, they are listening to the melody and the last two notes of the measure. They're not going to hear that E being cut short to get to the next chord.
[00:03:31] And, another option is to use both. Do the bar, and do the pre-plant. So it looks like this. You're doing the bar. You lift the second finger early to pre-plant it. Then, you have both fingers down and all you have to do is slide up. And you can't miss the change. And you won't be tempted to clip that last note of measure one short either, because it makes the change so [00:04:00] secure. Bar, pre-plant, and make the shift. That's almost foolproof. That's a good way to go.
[00:04:10] But again, if you don't like, if the bar is too noisy for you, if you don't like lifting that second finger early to pre-plant it, then you're left with just trying to do the change with none of that and just going for it and hoping you land it. So you'll just have to try all those things out.
[00:04:33] On the second, measure too, the obvious choice is a five string bar. But some players may have trouble getting the five-string bar to come out clearly. So if that's the case, you might try a 6-string bar. It might work better. The sound will be the same. It's just whatever comes out the best.
[00:04:52] And then, another option is to use a partial bar, barring only the 3rd, 4th, [00:05:00] and 5th strings. Like that. Some people may be more successful using that. Again, you just have to try out the different options.
[00:05:10] The final consideration on the first two measures and actually for most of the piece, is that you want a continuous vibrato to make the sound shimmer, to make the melody full, and to just add that glorious tone quality to the entire piece. You really want that. So get used to using continuous vibrato throughout.